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On the occasion of March 8th, International Women’s Day, we want to celebrate it with some of the female figures who symbolize Umbria, a land rich in history, art, culture, and spirituality. Luisa Spagnoli, Marchioness Elena Guglielmi, Maria Vittoria Semolesti, Saint Clare of Assisi, and Saint Rita of Cascia… Women symbols of entrepreneurial spirit, faith and devotion, and still universal values of strength, courage, and independence, which continue to inspire women and men all over the world.

Luisa Spagnoli
A name that immediately evokes images of refined fashion and chocolaty delights. However, her legacy goes far beyond catwalks and delicacies. After the devastations of World War II, Luisa Spagnoli became passionate about Angora rabbits, not only starting to collect them but also discovering a secret that would revolutionize the world of fashion: the art of combing, rather than shearing, these animals. A gentle gesture that allowed for a yarn of unprecedented softness, a fabric that caressed the skin like no other. And what about her delicious chocolates? The Bacio Perugina is a name known all over the world, but there’s another bar that bears her name, a creation some Perugians affectionately call “Carrarmato” (“Tank”), perhaps as a tribute to her tenacity and strength of spirit.

Saint Chiara of Assisi
Born in Assisi in 1194, Chiara Offreduccio degli Scifi, better known as Saint Clare, was a revolutionary figure of her time. A friend and follower of Saint Francis, Clare renounced her comfortable life to embrace a life of poverty and service. The founder of the Order of Poor Clares, she placed prayer and dedication to others at the center of her existence, becoming a model of inner strength and determination.

Saint Rita of Cascia
Saint Rita, born Margherita Lotti in Roccaporena, near Cascia, in 1381, is known all over the world as the saint of impossible cases. Her life was marked by great suffering and challenges, from her youth, when she was forced to marry against her will, to the death of her sons and her husband’s illness. Despite the adversities, Saint Rita found refuge in the Augustinian monastery of Cascia, where she lived until her death in 1457. Her tomb, located in the Sanctuary of Saint Rita of Cascia, attracts thousands of faithful and visitors every year, testifying to the power of hope and perseverance even in the most desperate situations.

Elena Guglielmi and Maria Vittoria Semolesti
At the beginning of the 20th century, Marchioness Elena Guglielmi brought the technique of Irish lace making to Isola Maggiore in Lake Trasimeno, inspired by the traditions born in Irish monasteries at the end of the 19th century, according to the ancient art of Venetian lace. Instead of being made with needle and bobbins, the peculiarity of this lace is created with a crochet hook using an extremely thin yarn. In 1963, the islander Maria Vittoria Semolesti restarted the activity by founding a cooperative of lace makers for the sale of Irish lace.

Photo credits by:
Cittàdelladomenica.it
NestlèItalia.it

The story of Saint Valentine of Terni is shrouded in mystery and folklore, with various legends intertwining over the centuries.

Saint Valentine is revered as the patron saint of lovers, and his feast day on February 14th is celebrated worldwide. Valentine was a Christian bishop from Terni, who died as a martyr in Rome on February 14th, 273 AD. He was laid to rest in Terni, in the Basilica where his relics can still be found today.

One of the most famous legends tells that Emperor Claudius II in the 3rd century AD had issued a decree that prohibited the marriage of young men, believing that singles made better soldiers. However, Valentine disobeyed this decree and continued to perform secret weddings for young couples. When his disobedience was discovered, Valentine was arrested and brought before the Emperor. During his imprisonment, legend has it that Valentine healed the blindness of his jailer’s daughter and that, before his execution, he wrote her a farewell letter, signing it “From your Valentine.”

This story has helped to cement Saint Valentine’s association with romantic love. Another version of the Saint Valentine story suggests that he might have been martyred for aiding persecuted Christians during the reign of Claudius II. Yet another legend tells of Valentine witnessing two young lovers arguing and giving them a rose, urging them to hold it together as a way to reconcile, and then having doves fly around them, hence the term “lovebirds.” In any case, the figure of Saint Valentine quickly became a symbol of love and devotion, and his feast day became associated with romantic love over the centuries.

L’Umbria da Fiction
Benvenuti in Umbria, nel cuore verde dell’Italia, una Regione che incanta con la sua bellezza naturale e il suo fascino storico. Ma c’è qualcosa di magico nell’Umbria che va oltre i suoi paesaggi mozzafiato e le sue città medievali: è il luogo dove la magia del cinema e della televisione prende vita!
In questo viaggio cinematografico, esploreremo i luoghi incantati dell’Umbria che sono servito da sfondo per film e fiction, portando sullo schermo la ricchezza della sua cultura e della sua storia.

Città della Pieve e “CARABINIERI”
Città della Pieve caratterizzata dai suoi edifici in mattoni rossi e situata al confine tra l’Umbria e la Toscana, è stata forse la prima location in Umbria a fare da sfondo per avvincenti inseguimenti tra criminali e carabinieri, nella Fiction “Carabinieri” e che ha fatto da trampolino di lancio nella carriera da attori come Manuela Arcuri, Martina Colombari, Lorenzo Crespi…
La caserma dei carabinieri è stata collocata in via Maddalena 34 in un istituto tecnico.
Il celebre Bar Pippo, frequentato dai protagonisti della fiction, si trova invece in Piazza Matteotti, ed è ancora oggi attivo.

Assisi e “CHE DIO CI AIUTI”
Assisi è stata la protagonista delle ultime stagioni della celebre fiction Rai “Che Dio ci aiuti”.
Girovagando per le strade della città, è possibile identificare gli edifici storici di Assisi che fungono da cornice alle avventure di Suor Angela, interpretata dall’attrice Elena Sofia Ricci, che attraversa il centro storico a bordo del suo ormai iconico pulmino blu. Location delle riprese sono state anche la maestosa Basilica Papale di San Francesco, la Basilica di Santa Chiara e la Cattedrale di San Rufino. Molti dei dialoghi tra Suor Angela e Suor Costanza, interpretata dall’attrice Francesca Chillemi, sono state girate, per esempio, nella chiesetta di San Giacomo de Muro Rupto.

Perugia e “LUISA SPAGNOLI”
Perugia, la pittoresca capitale dell’Umbria, è stata il set per numerose produzioni cinematografiche e televisive: una tra queste, trasmessa nel 2016, è la serie televisiva dedicata a Luisa Spagnoli (ne avevamo parlato qui), imprenditrice lungimirante e creatrice del marchio di moda che porta il suo nome e del famoso Bacio Perugina, il cioccolatino con la nocciola ideato insieme al marito Francesco Buitoni.
La scenografia si è sviluppata soprattutto in piazza IV Novembre, tra la Cattedrale di San Lorenzo, la Fontana Maggiore e Palazzo Priori. Luisa Spagnoli, interpretata dalla bellissima e bravissima Luisa Ranieri, ha sfoggiato eleganti abiti d’epoca mentre percorreva Corso Vannucci, il corso principale di Perugia ma anche le suggestive scalette di Sant’Ercolano

“DON MATTEO” tra Gubbio e Spoleto
Gubbio, con le sue case di pietra e i vicoli stretti, è un vero tesoro medievale che ha attirato registi di tutto il mondo. La città è stata utilizzata come primo set per il film “Don Matteo”, prima di passare. Gubbio offre un’atmosfera autentica che ha reso la serie ancora più coinvolgente per gli spettatori. A Gubbio, in particolare, sono stati utilizzati la Chiesa di San Giovanni per la canonica e la chiesa della Fiction. Nella Piazza Grande, di fronte al Palazzo dei Consolo, invece, si trovata la caserma del maresciallo Cecchini, dove è ancora posizionato il tavolo delle partite a scacchi tra Don Matteo e il Maresciallo. Le famose passeggiate in bicicletta di Terence Hill – DON MATTEO, sono girare in Via Savelli, Via Piccardi e Via Baldassini.

A Spoleto, invece, la maestosa Cattedrale di Santa Maria Assunta, conosciuta anche come Duomo di Spoleto, è la location iconica della serie. Questo capolavoro di architettura romanica ospita opere d’arte straordinarie e rappresenta uno dei luoghi più sacri della città. Nella trama di “Don Matteo”, la cattedrale ospita la Canonica, la Caserma dei Carabinieri e il Parlatorio.
Poco distante si può ammirare Piazza della Signoria dove sono state girate molte scene della Fiction. Palazzo Bufalini è stato utilizzato per le riprese in esterna della Caserma dei Carabinieri.

L’Umbria è molto più di un’incantevole regione italiana: è un mondo di possibilità per cineasti e registi che desiderano catturare la sua bellezza e il suo fascino senza tempo. Esplorare i luoghi dove sono stati girati film e fiction in Umbria è un modo affascinante per scoprire la regione da una prospettiva unica, attraverso gli occhi dei creatori cinematografici che hanno reso questi luoghi indimenticabili sul grande e piccolo schermo.

Umbria, with its picturesque hilly landscapes, medieval villages, and deep spiritual roots, is one of Italy’s gems. Among the numerous attractions this region has to offer, the Sanctuary of Collevalenza stands out as a place of devotion, hope, and reflection.

Located just a few kilometers from Todi, the Sanctuary of Collevalenza was founded at the behest of Mother Hope and built by the Spanish architect Julio Lafuente in 1951, with the intent of creating a place that represented and expressed God’s Mercy for all the faithful who had committed a sin and were seeking forgiveness and spiritual comfort.

An Enchanting Architecture
Beyond its spiritual significance, the Sanctuary also captivates visitors from an architectural standpoint: it has a circular plan with two large sacred halls, the crypt, and the upper church, which converge into a single architectural entity.

The Sanctuary creates a serene, welcoming, and bright atmosphere, thanks to a huge concave glass window.

Pilgrims visiting this sacred place are greeted with genuine smiles and a kindness typical of Umbrian hospitality. They can always confess, in the name of the same Mercy that the Sanctuary represents.

The Message of Water and the Famous Pools
Since March 1, 1979, the Water of the Sanctuary, coming from a nearby well, has been flowing into the pools (separated for men and women) and open to pilgrims or for the immersion of the sick, who could immerse themselves during the “Liturgy of the Waters” by the priests of the Sanctuary.

Currently, the “Liturgies of the Waters” are still active, while due to post-pandemic restrictions, immersions have been temporarily suspended, but at the same time, pilgrims who go to the Sanctuary and participate in the liturgy will be accompanied by the priest to the feet of the statue of Mary the Mediatrix to drink from the small fountains while reciting the prayer of the proper use of the Water and its spiritual meanings as “refreshment to the body and health to the soul and renewal of wonders for healings,” as always said by Mother Hope.

The Water of the Sanctuary is still considered a sign of Grace and an instrument of the Lord’s Mercy.

In the early 20th century, Marchesa Elena Guglielmi introduced the technique of Irish lace-making to Isola Maggiore in Lake Trasimeno. Inspired by traditions originating in Irish monasteries in the late 19th century and following the ancient art of Venetian lace, the Marchesa’s vision was to bring this artistry to the island.

Unlike traditional lace made with needles and bobbins, this lace is crafted with a crochet hook using an extremely fine thread. The foresight of the Marchesa also led her to bring a teacher from Turin who could pass on the art of lace-making to the first island teacher, Elvira Tosetti. Elvira was entrusted with the foundation and direction of the lace school on the island for young women, daughters of fishermen, who, until then, engaged in various activities during the day without receiving any payment. The school provided them with the opportunity to receive professional training, learning various techniques for creating tablecloths, sheets, clothes, handkerchiefs, gloves, etc. This offered them a certain economic independence (earning about 390 lire in the first year and around 2300 lire in the second year) and the ability to contribute to family expenses.

They could be seen sitting at the doorstep of their homes, engrossed in crocheting and lacework. These young women and their creations soon gained esteem from noblewomen, regular customers of the school. The crafted items were soon exhibited at the permanent market show of Italian Decorative Arts in Perugia, and sample books were sent to Industrie Femminili Italiane in Rome, ultimately being sold throughout Italy and abroad. The Irish lace from Isola Maggiore became famous and highly appreciated, positively contributing to the island’s economy, especially during fishing crises.

Later, in the 1930s, with changes in fashion and influences coming from America, Irish lace fell out of style, leading to the closure of the school. However, the island women continued to work on lace for their personal trousseaus and as an inheritance.

In 1963, Isolana Maria Vittoria Semolesti revived the activity by founding a cooperative of lace makers for the sale of Irish lace. Although the cooperative closed in 1975, the lace makers continued to work individually. Via Guglielmi, with its lace makers, became one of the attractions on the island, drawing tourists who admired the lace-making process. Even today, you can find a few lace makers working at their doorsteps.

The last lace makers of Isola Maggiore, all descendants of Maria Vittoria Semolesti’s school, still operate today. In the center of the island, in the palace that once housed the Brotherhood of Santa Maria dei Disciplinati, the Lace Museum was established, showcasing the works created by the women of Isola Maggiore from 1904 to the end of the 20th century.