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The Marmore’s Fall, formed by the Velino and the Nera, tributaries of the Tiber, is one of the most visited natural attractions in Umbria, although it is an artificial waterfall, it has very ancient origins that date back to Roman times, in 271 BC: it is in this given that the Roman consul Manio Curio Dentato, with an ingenious hydraulic intervention, had a canal built in order to drain the stagnant waters of the Velino in the Sabina (plain of Rieti), dangerous for the nearby population, towards the Nera river. The intervention was thus called and known over time as “Cavo Curiano”.
Other interventions made to counteract flooding during periods of flooding date back to 1422, by the engineer Aristotile Fioravanti and entrusted by Braccio Fortebraccio da Montone. On this occasion a new channel called “Reatino” was built. Other interventions date back to 1547 by Antonio Da Sangallo, commissioned by Pope Paul III with the construction of a third canal. In 1601 the architect Giovanni Fontana created the “Clementine” canal in honor of Pope Clement III. Finally, in 1787 the architect Andrea Vici made the last intervention which gave the Marmore Falls its current appearance.

To date, the Marmore Falls is the highest artificial waterfall in Europe.

CURIOSITY

• The name derives from the richness of calcium carbonate on the rocks which resembles white marble.
• Today the waterfall is not only an important tourist and naturalistic attraction due to the richness of flora and fauna, from algae, mosses, ferns, insects, fish, reptiles, birds and small mammals, but it is also used for hydroelectric production.

• The waterfall is not always open at full capacity (Be careful of the opening hours so as not to miss this fascinating moment!!), and this allows you to admire the beauty and richness of the vegetation that is shown when the water flows from the waterfall it’s close. Its opening is announced by an acoustic signal. The view of the water that flows forcefully and creates a wonderful rainbow on sunny days is wonderful. The Falls can be accessed from both the Upper and Lower Belvedere.
• At night the waters of the waterfall, when open, are illuminated by a LED lighting system.
• The beauty of the Marmore Falls Park is also given by being able to admire along the way the caves that the water has dug over the centuries with stalactites and stalagmites in the travertine: some can be visited and the most famous is the LOVERS’ CAVE.

A ROMANTIC LEGEND

The Gnefro, a fairy and legendary creature of Umbrian popular culture, tells the story of the nymph named Nera who is in love with the shepherd Velino. The goddess Juno, who did not accept a love between a nymph and a human being, transformed the Black nymph into a river. Velino, believing that the Black Nymph was drowning in those hitherto unknown waters, threw himself into it. However, Jupiter, softened by pure love, also transformed the shepherd Velino into a river. Since then the Nera and Velino rivers could stay together for eternity.

DID YOU KNOW THAT

• The soprano Gina Palmucci, deeply in love with her territory, being of Terni origins, chose Nera Marmora as her stage name;
• The Cascata delle Marmore was painted by several painters and narrated by important literals such as Lord Byron;
• He is present in many films such as Federico Fellini’s Interview in 1987, Dario Argento’s Stendhal Syndrome in 1996, and again in fiction such as Don Matteo;
• In 2011 it was the location for the concert with the orchestra
• “I Filarmonici di Roma” and in 2012 the concert for the “Tribute to Sergio Endrigo” by Simone Cristicchi;
• In 2017 he starred in the advertising campaign for the promotion of Tourism in Umbria together with the former Italian diver Tania Cagnotto;
• In January 2023 it was the location for the outdoor test of the MasterChef broadcast.

The Campello sul Clitunno district is divided into Campello Alto and Campello Basso: the first fortified around the Castle dating back to the 9th-10th century and wanted by the knight from Burgundy, Rovero di Campeaux and the second near the Fonti del Clitunno.

A natural jewel: the Fonti del Clitunno
Crystalline springs at the foot of Mount Brunette, with bright colors that shine with the sun’s rays, creating plays of light, shadows and reflections of the vegetation that is reflected in these waters, sending an image of absolute purity and spirituality.

Already known in Roman times and many poets and writers such as Pliny, Virgil, Propertius, Juvenal, extol their praises in their legacies, speaking of an absolutely suggestive place. The river was revered as a natural element personified by the God Clitunno: its waters so pure as to make those who immersed themselves in it immaculate.

Again the Sources taken up in Corot’s paintings and praised again by Lord Byron in the fourth canto of Child Harold dedicated to Umbria:

“But you, or Clitunno! from your sweetest wave of the brightest crystal that ever sheltered a river nymph, to look inside and bathe her limbs where nothing hid them, you raise your grassy banks along which the milk-white bullock grazes; O thou – purest God of mild waters, and most serene of aspect, and most limpid, indeed thy current was not desecrated by carnage – mirror and pool for Beauty’s youngest daughters”

The very rich vegetation and biodiversity make the Fonti del Clitunno a small paradise among cypress poplars and weeping willows which with their foliage adorn the landscape and frame the waters, are strongly linked to Napoleon: in fact, it is said that they come from the place where the ‘Emperor on Saint Helena. The vegetation on the seabed is also rich such as: wild sedanine, aquatic horsetail and aquatic nasturtium.

Temple of Clitunno
Not far from the Fonti del Clitunno, there is the small but wonderful Tempietto del Clitunno, a UNESCO World Heritage Site since 2011.
Built in the early Christian era (it is assumed between the 5th and 7th centuries) with salvaged elements from the pagan sacellums (from the Latin sacellum, dim. of sacrum “sacred enclosure”) of the god Clitunno, today it is part of the seven jewels of ” The Lombards in Italy. Places of Power”.
On the tympanum it is still possible to see the decorations showing pomegranate and a bunch of grapes: if the first symbolizes fertility, grapes and more particularly wine is the symbol of the Eucharist.

“And on your happy shore a Temple, of minute and delicate structure, still keeps the memory of you on the gentle slope of a hill; beneath it flows your placid current; often leaps forth from it the darting fish with glittering scales, which dwells and plays in your crystalline depth; while perhaps some lost water lily flower floats by where the less deep wave still repeats its bubbling tales”
Lord Byron

In Green painted Green
In addition to the natural wonders, the historical ones and still those linked to Trebbiano Spoletino, the hills of Campello are adorned with green olive trees which are still cultivated today with traditional methods and make Campelli one of the paths of the olive grove.
The olive tree has Etruscan origins and was later spread by the Romans as a luxury item. Pliny the Younger himself had several hectares in Umbria dedicated to the cultivation of olive trees.

What remains of this story is the hope of being able to experience a place absolutely full of beauty accompanied by a glass of Trebbiano Spoletino and a slice of warm bread with local oil and admire, as Lord Byron, Carducci did and Pliny, the marvel of Campello sul Clitunno.

The city of Gualdo Tadino, originally known by the Umbrian name of Tarsina, fell under Roman rule and was given the name “Tadinum”, becoming an important trading center and point of reference along the Via Flaminia. During the Roman period it experienced many wars following the conflicts for power between Caesar and Pompey.
Other known devastations are those related to the figure of Hannibal and the resistance against the Goths fighting against the Lombards in the famous battle of Tagina.
The name GUALDO derives from the reconstruction dating back to 996 after the destruction of Otto III of Saxony, Emperor of the Eastern Franks and Roman Emperor since 966; starting from the reconstruction of the 11th century, the city assumed the Longobard name of Gualdo, “forest, wooded place” – from the German “Wald”. The formal recognition of the name “Gualdo Tadino” will only take place in 1833 by Pope Gregory XVI.
In 1237 it was destroyed again by fire and rebuilt by Frederick II and the Benedictine friars, mainly around the large structure of the Rocca Flea, on Colle Sant’Angelo.
In order to be able to experience Gualdo Tadino immersed in time, in the marvelous stories of the Gualdo citizens, in the architectural constructions and in the culture that has distinguished the Umbrian town, the City of Gualdo Tadino Museum Pole has enclosed the entire legacy of the city in a circuit of museums .
Not to be missed are the Rocca Flea Civic Museum, the Ceramics Museum, the Emigration Museum…Discover them all HERE

But let’s look at some of them in detail:

Rocca Flea
On the top of Colle Sant’Angelo, stands Rocca Flea, an exquisite military architecture dating back to the XII century and rebuilt by Frederick II in 1247. Inside, since 1999, there is the Rocca Flea Civic Museum.
“Its name, derived from the nearby river Flebeo, later called Feo, already appears in documents from the 12th century. With the succession of different dominations imposed on the city, the militias of Federico Barbarossa first settled there, then those of the pope and in 1208 those of the Guelph Perugia. Damaged by many conflicts, it was restored by Frederick II around 1242. In the 16th century it became the residence of the papal legates, while in 1888 the Rocca became a prison. Restored to its previous appearance thanks to recent restorations, the fortress has become the seat of the civic museum since 1999 “

Museum of Ceramics
“The Ceramics Museum of Casa Cajani is part of a large project which aims to exhibit and enhance the city’s heritage: the civic collection of ceramics, coming from the public, from acquisitions and donations. A project linked to the artistic, productive and economic history of this area, which documents the prestigious goals achieved over the centuries by the Gualdo ceramic manufacturers.
Some rooms of the Museum are entirely dedicated to Alfredo Santarelli, a tribute to his majestic work with artefacts from important factories born in the 1900s from the imprint of Santarelli, such as Luca della Robbia, the Mastro Giorgio Ceramic Society and the Angelo Pascucci Ceramic Industry. Another section is dedicated to the prestigious manufacture of Paolo Rubboli who reintroduced the technique of gold and ruby ​​lustres of the Mastrogiorge tradition in Gualdo Tadino”.

Emigration Museum
“The Pietro Conti Regional Museum of Emigration was created to underline the historical, cultural and human heritage linked to the great emigration exodus that involved Italy from the end of the 19th century and which involved more than 27 million departures. Made with the video projection technique, it involves the visitor in an exciting backward journey: the arrival, the journey and the departure. Documents, images and stories from all regions of Italy. A choral journey that has the emigrant as its protagonist: the farewells, the meeting and the clash with the foreign country, nostalgia, the daily joys and sorrows, the integration into the new reality, the defeats and the victories, the confrontation and reflection on today’s immigration”.

To feel a bit like Alice in Wonderland, a bit like the Hatter, we take you to Gubbio, one of the most beautiful medieval towns in Umbria, also known by the Roman name of Iguvium, rich in history, monuments, architectural works and … also famous for being known as the City of Fools!
Well as such, in the Gubbio city you can also take the Fool’s License complete with Parchment. Everything starts and revolves around the Bargello Fountain, built around the 16th century, located in front of Palazzo Bargello in the heart of the historic center of Gubbio and renowned for being the Fools’ Fountain! 

It all dates back to an ancient practice of 1880 and still in use today for the citizens of Gubbio but also for all the tourists traveling to Gubbio!
Attention! The Madmen’s license also requires requirements and is based on strict regulations:
1. It must be a genuine Eugubino to apply for the Madman’s License on your behalf
2. Pay a contribution to the Maggio Eugubino Association
3. Make 3 laps around the Fontana dei Matti in the presence of a genuine Eugubino Matto!
4. Being “baptized” by the spray of water from the Fontana dei Matti itself.

After passing the test, the same Association will grant you the Parchment of the Fool’s License written in medieval style.
The tradition of the Matti is linked to the laps, the “birate”, which take place around the main flagpole of Piazza Grande during the famous and folkloristic Ceri festival which is held every year on May 15th.

EUGUBINI, ROCKY CRAZY!
According to some geological studies, around the city they would have detected rocky conformations contaminated by a highly toxic chemical substance, iridium, which could in some way explain the “madness” of the Gubbio inhabitants.

It was the year 1527 when the Florentine architect Antonio da Sangallo the Younger was commissioned to build a Well in the heart of the city of Orvieto, a work that would later prove to be a real pioneering and avant-garde enterprise.
The task was ordered by the then Pope Clement VII, during the Sack of Rome, who wanted to give the city that gave him refuge (after having arrived there disguised as a greengrocer), a supply of water that was always available, especially during difficult periods such as sieges (or famines). A medal was also minted later, now kept in the Vatican Museums, with the engraving “ut populus bibat” – “for the people to drink”.

Initially the Pope had imagined the Pozzo for use in the fortified fortress of the Albornoz Fortress (hence the name “Pozzo della Rocca”). We have to wait for the 1800s for the current name Pozzo di San Patrizio.

Renaissance avant-garde
The architect Sangallo designed the cylindrical well, 58 meters deep, starting and taking inspiration from the spiral staircase of the Villa del Belvedere in the Vatican with a helicoidal design of steps (248) designed so that no traffic jams were created. and in fact whoever went down and whoever went up had their own “way” free, especially those who went there with mules.
There are 72 windows that illuminate the well until it reaches the semi-darkness in depth, where there is a small bridge connecting the two stairways.
The Well, completed in 1537, was built by digging into the tuff (Orvieto is famous precisely for its tufaceous soils and tuff tunnels where many famous Orvieto wines are kept and refined today) and then into the clay up to the aquifer of natural origin.
At the entrance you read “quod natura munimento inviderat industry adiecit – what nature had not given, industry procured”, a clear celebration of human ingenuity at the service of nature.

The Well and Ireland
As mentioned, the name Pozzo di San Patrizio, arrived in the 1800s at the behest of the friars of the Convento dei Servi who were aware of the legend of the “Irish saint”, St. Patrick, guardian of a cave so deep that it did not have a bottom enough to be recognized as St. Patrick’s Purgatory (and once it reached the bottom by overcoming the “tests” it was then possible to enter Paradise) and that the well was even connected to Ireland, where the Saint did the work of evangelization, and often found in the Well a time for reflection and prayer. Thus it was that the Pozzo became a sacred rather than a military destination. Today a tourist and cultural destination of great impact and emotion.